exercise 4: shadows and reflected light
Things I’m happy with:
- capturing the dimmer metal on the inside of the jug
- the way the reflections on the cups and jug merge – in reality it was extremely hard to see what was cup and what was reflection (on the lower cup)
- the contrast of the dense plastic black handles and the metal
Things I’m not happy with:
- the lower left of the jug. i’v only noticed it’s baba-papa-ness now i see it on the screen in front of me
- the handle on the upper cup hasn’t quite worked
- the charcoal has ‘stuck’ in places. This happen on the last project too. I’m not sure if there is something on the paper – grease maybe.
project two: basic shapes and fundamental form
exercise one: groups of objects
To be frank I really wasn’t clear what this exercise expected of me – I even consulted the course support team It seemed to be asking a lot of different things and then the accompanying illustration seemed to suggest something altogether different.
“…loosly describe …don’t forget weight, transparency shine….spaces, writing on labels…imagine you can see through the forms to the spaces inside…evoke expression in the remarks you make and in the relationships you create inside and around the edges of the forms and the picture plane…”
This was too much for me to think about at one time so I forgot about weight, transparency, shine and labels and focused on the rest. I’m hoping that as I go through this course knowing how to get them all across in one drawing will become second nature.
I had used ink and a chopstick for the first time in the previous exercise, and so enjoyed it that I started out with it here – then eager to get across the boldness of the forms I blocked them in with charcoal. I tried to add more line after with the chopstick but it just scraped away the charcoal. Ditto with a pen, so I went with a brush. I didn’t purposefully crop the picture like this – I just didn’t measure it out well – though I like to think jug with its head disappearing into the clouds adds a little intrigue.
Finished, I felt that even with my simpler focus I had swayed from the exercise. So the second drawing is more about line and shape, adding in the less regular forms of cloth bag and lemons. I couldn’t help but add the very deepest shadows – to render the bag understandable.
exercise 3: creating shadow using lines and marks
Things I’m happy with:
- the liveliness of the marks, though my preparatory sketches were more energetic
- the cast shadow of the bowl
- the drama of the pestle
- the highlight around the cup’s handle
Things I’m not happy with:
- the whole has become quite ‘smudgy’ – I would rather the marks were cleaner, clearer, that there was more light in between the marks, more space
- the lip of the mortar (but I tell myself that wasn’t the point of the exercise)
- the clumsiness of the shadow inside the bowl
These three practice sketches seem to have worked better – more energetic, a greater feeling of light and shadow. I was working in a different light which may have been a reason, but I suspect it’s more likely to be my default of tightening up when I want to do a more complete drawing. The way forward may be to try and kid myself everything is a practice run.
Boxes: first round of shadows using different lines and marks. I seemed to be falling into a trap of the same types of marks as I started this exercise and consequently got quite disheartened. Each time I started out with different lines but ended up with something not far off the previous. Even though the ink pen was erratic, or maybe because the ink pen was erratic, it’s the most interesting. That and the very small one that I did quickly to fill the space.
exercise two: observing shadow using blocks of tone
This was set up outside facing north in the morning, the sun was edging around the side and I felt the pressure to capture the light before everything changed.
Stuff I’m happy with:
- the contrast of light on the left of the jug against the cup
- the light shining out from behind the right of the vase
- the general shadows at the back
Stuff I’m not so happy about:
- these items don’t look white
- the objects are darker and more dramatic than I had wanted, I haven’t captured one of the feel of white against white
I wanted to have a second go, to try and capture something of the whiteness and brightness, to create something more delicate:
This was also set up in the morning, but on a white shelf against a white wall with the natural light pretty much behind me.
There is plenty I’m not happy with, and finally I prefer the first attempt.
- the whole is messy and hard to understand what’s happening in terms of light and shadow – now I look at the photograph on the screen it’s easy to see that it’s all gone a bit wrong in terms of overall light and dark. The cup needs to be brighter, for one.
- the shadow behind the vase is very confusing – I think I may go back and see if I can soften it, though I’ve already used fixative
- the highlights on the handle are too extreme – this whole area was more in shadow
- the intense shadow of the cup on the vase looks too extreme
- the reflection of the vase back in the cup isn’t clear enough
- I used paper that had creases in it. I should have tried to iron them out first – the charcoal has sat in them.
I’m trying to find something that I’m happy with but I’m struggling. The whole is quite lively, maybe?